The tombs of the apostles
Saint Peter
The disciple who learned humility
by Lorenzo Bianchi
Saint Peter
In the second decade of the 4th century the emperor Constantine enclosed Peter’s burial place (a grave in the bare earth, dug near the circus that marked the northern limit of Nero’s gardens) within a masonry monument and afterward, in about 320, built a basilica around it. To do this he did not exploit, as would have been obvious and offered greater guarantee of stabilty for the new construction, the flat space between the Janiculum and the Vatican hills that had been occupied by the circus, but engaged in grandiose engineering works to make a vast artful platform, on the one hand excavating the slopes of the Vatican hill, on the other burying and using as foundation the structures of a necropolis that had spread along the northern side of the circus between the 1st and 4th centuries. He wanted in fact as fulcrum of the basilica, at the intersection between the central nave and the transept, precisely the monument enclosing the apostle’s tomb. That is why the axis of Constantine’s building does not match, as would have been easier, that of the necropolis and the circus. It ran in about the same direction, but some little distance away, because it was determined with absolute precision by the orientation of the memorial to Peter. Since then the apostle’s burial place has been not only the center of attraction, but also the hub of everything that has developed around it over the course of the centuries, from the tombs of the first Christian believers, to the quarters for pilgrims in the early Middle Ages, to the streets, to the walls of the civitas Leoniana built after the sack by the Saracens in 846, up to the modern district of the Borgo. Even the construction of the new Basilica, founded by Pope Julius II on 18 April 1506, though it involved the demolition of Constantine’s building and the medieval additions, rigorously respected the centrality of Peter’s burial place: the present high altar, that goes back to Pope Clement VIII (1594), stands exactly above the medieval one of Pope Callixtus II (1123), which in turn enclosed the first altar of Pope Gregory the Great (around 590), built on Constantine’s monument safeguarding Peter’s tomb. And the point of Michelangelo’s dome soars exactly perpendicular above it.
Saint Peter’s Basilica in the Vatican seen from the edge of the Janiculum hill, in antiquity contained within Nero’s gardens where the martyrdoms of Christians in Rome following the outbreak of the fire on 19 July 64 took place
Pius XII, as mentioned above, made the announcement of the discovery. A certain time after the end of the excavations and the publication of the findings, a second phase of investigation began. Constantine’s monument had also enclosed another structure close to the aedicule, a low wall perpendicular to the “red wall”. This wall was designated “wall g”, that is wall of graffiti, because a multitude of graffiti were superimposed one on top of another on the wall opposite the aedicule. Inside the wall in early times, certainly after the scratching of the graffiti and before the definitive arrangement of Constantine’s monument, there was a parallelepiped loculus, lined with marble on the bottom and, up to a certain height, on the four sides, one of which, the west one, ended at the “red wall”. This loculus had already been noted during the dig in November 1941, before excavation in the earth down to the lower tomb, but its importance had not immediately been grasped. According to the later reconstruction by the archaeologist Margherita Guarducci, it had been emptied of much of the material it contained, so much so that on the day following the discovery one of the diggers, Father Antonio Ferrua, had seen it empty. It is clear that, as became known several years after the completion and the publication of the findings, that a most important epigraphical document originated there, a minute fragment 3.2 x 5.8 cm of red plaster, fallen there from the adjacent “red wall”, with the graffito, in Greek, “PETR (Oc) ENI”, that is “Peter is here”, as Guarducci read it. Her research, conducted between 1952 and 1965, led to the deciphering of the graffiti, on “wall g” (the one containing the loculus), which turned out to be a multitude of invocations to Christ, Mary and Peter, superimposed and combined together. And her work also led, after complex and detailed research conducted with scholarly rigor, to the conclusion that what had been contained in the loculus were cient tradition testifying to Peter’s humility. A circumstance, this, perfectly in line with what is historically known: the Roman custom, that is, of making a spectacle out of executions for the pleasure of the plebs. Since the dead had no right to be buried their bodies were left to lie where they had died. That is what happened to Peter, killed amidst so many others and buried in the humble earth – probably in haste, in the nearest place possible – that is, when one could recover the body.
The crucifixion inverso capite of Peter, between the Janiculum and Vatican hills, Sancta Sanctorum, circa 1277-1280, Rome
In speaking of the places in Rome connected with Peter it is also worth mentioning the epigraph of Pope Damasus (366-384) in the